Production of an Original Composition for the Frajton Dub Compilation

In the diploma thesis, the author presented his work with the Logic programme on the example of recording and processing the ** original composition 'Domači dub'** for the music compilation 'Frajton dub'. The diploma thesis is a written document that describes the project of producing the original composition Domači dub for the Frajton dub compilation. Newer and better versions of equipment may only enable an ** easier and faster path from idea to its manifestation.** Only through research and work do we arrive at higher-quality results. One of the purposes of releasing the compilation was to unite and connect different creators and their relationship to the given context of the compilation.

Problem

In the diploma thesis, the author presented his work with the Logic programme on the example of recording and processing the ** original composition 'Domači dub'** for the music compilation 'Frajton dub'.

Solution and Method

The diploma thesis is a written document that describes the project of producing the original composition Domači dub for the Frajton dub compilation. Whilst working on the project, he deepened and upgraded his knowledge and understanding of the Logic programme. He realised once again that for quality, creative work he does not need the latest computer and the latest versions of programmes.

Results

Newer and better versions of equipment may only enable an easier and faster path from idea to its manifestation. Only through research and work do we arrive at higher-quality results. One of the purposes of releasing the compilation was to unite and connect different creators and their relationship to the given context of the compilation. The resulting platform enriched ** domestic dub creation**.

The creative merging of ideas brought about even more new collaborations. With the symposium on dub in Slovenia and the Frajton dub compilation, they received confirmation of the existence of dub and its elements in our country, and the entire project demonstrates the level of its understanding. The project injected fresh energy and not only contributed to the development of the dub and reggae scene in our country, but also raised awareness of dub approaches within electronic music.

It also opened questions about one's own identity, about their relationship to this type of music and how to present it in a broader – global context. He succeeded in combining the concepts and clichés of the frajtonarica and dub in the original composition 'Domači dub' on the 'Frajton dub' compilation, not only in the sonic spectrum, but also in rhythmic elements. He used two different parts.

In one, the rhythmic building blocks of the bass guitar are Jamaican patterns, whilst in the other the rhythm of the Slovenian polka stands out. Certain rhythmic building blocks of their folk music are identical to some traditional Jamaican patterns, but the difference lies primarily in tempo and the instruments used. His intention was to highlight the common points of both traditions.

This was the rhythmic foundation of the composition. A space for sonic experimentation, therefore, which builds on shared characteristics and gives room for mutual respect of differences and particularities. He wanted to create an environment in which everyone could find something familiar. Familiar to all..